![]() Minilogue Bass offers powerful and intuitive sequencing possibilities. Alongside POLY and CHORD modes, DUO stacks two voices in unison, UNISON works as a 4 part mono synth, MONO is monophonic but with a sub-oscillator playing an octave lower, DELAY plays 3 voices in sequence after the first, ARP is a 4 voice arpeggiator, and SIDE CHAIN lowers the volume of previously played notes. Minilogue Bass is a four-voice poly synth, with eight voice modes for broad versatility. Minilogue Bass includes cross modulation, oscillator sync, and a ring modulator, alongside a high pass filter delay to further expand your sound creation possibilities. It has two VCOs, a VCF, two EGs, a VCA and an LFO, while retaining the hands on control and unique wave shaping through oscillator harmonics from Minilogue. The thickness, presence, and immense sonic palette provided by Minilogue Bass is due to an all-analogue signal path. But that's just the beginning - everything can be customised- the analogue possibilities are virtually endless.Īll 100 preset patches are exclusive to Minilogue Bass, and can be further expanded with an additional 100 user programs for a total of 200 slots. Minilogue Bass includes patches optimized by professional bass and synth programmers, ready to drop into your track or performance. Minilogue Bass is the evolution of the iconic Korg Minilogue into an all-analogue bass powerhouse.Īn expandable poly-synth that retains the hands-on control and immersive playability of the original, Minilogue Bass drops deep, dark, thunderous low-end for cutting production-ready bass. Same great analogue synth architecture, updated to create a low-end monster. Though there are highlights throughout, two of the most notable tracks are at the very end: "History," where Talib Kweli joins in over a wistful J Dilla beat, and "Casa Bey," where a playful Mos Def somehow keeps up with Banda Black Rio's deliriously frantic samba funk.Notes: Specially tuned for bass sounds, the Minilogue returns in this new format. Flash, the album is a gumbo that adds juicy dub thwacks, regal synthetic horns, tangled piano vamps, dashes of spiritual jazz, and rolling Afro-beat, almost all of which is cloaked in light reverb. Combined with backdrops from Georgia Anne Muldrow, Preservation, the Neptunes' Chad Hugo, and the Ed Banger label's Mr. Altogether, they provide much of the album's dusty off-centeredness even though "Supermagic" has Mos Def at his most energized and alert, its needling psychedelic guitars and sweeping Bollywood drama are transportive. ![]() Some of the productions from brothers Madlib and Oh No were pulled from their instrumental releases, including a pair from the India-themed installments of the Beat Konducta series. ![]() For those who are deeply into the Stones Throw label, the album won't take quite as long to process. Oscillating between cerebral gibberish and seemingly nonchalant, off-the-cuff boasts, it's obvious that Mos Def is back to enjoying his trade. It was evident that he was not inspired, no doubt prompting a fair portion of his followers to think, "OK, maybe we should have been more specific: please make a good rap album." On The Ecstatic, it's not as if Mos Def makes a full return to the lucid/bug-eyed rhymes heard on decade-old cuts like "Hater Players" and "Hip Hop." Instead, he comes up with a mind-bending, low-key triumph, the kind of magnetic album that takes around a dozen spins to completely unpack. After he released 2006's True Magic, his first all-rap release in seven years - following the back-to-back instant classics Black Star and Black on Both Sides - it was easier to understand why he had been devoting much more time to acting and diversions like The New Danger. ![]() During the first several years of the 2000s, it wasn't unreasonable to want Mos Def, one of the most dazzling living MCs, to make a rap album. ![]()
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